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Our methodology

The Practice of Place.

An arts-focused engagement, project design, and evaluation methodology for communities and the organizations that serve them.

Practice of Place is not a separate service. It is an orientation toward how community-based planning gets done. The approach treats a sense of belonging, creativity, and place itself as the building blocks for better community outcomes.

The core idea

A place is something we practice into being.

Most planning treats place as a container — a backdrop where things happen, a site to be analyzed, a context for development. The Practice of Place treats place as something actively cultivated through sustained creative attention. This shift changes everything about how engagement, project design, and evaluation get done.

This reshapes each part of the work. Engagement becomes the core method by which place is understood and shaped. Project design becomes integrated, so that engagement and creative discovery generate the project itself. And evaluation becomes formative: we work with participants to track how belonging gets built into the work as it unfolds.

At its heart, the Practice of Place is a discipline of five principles applied across the full arc of a project’s creation.

Illustration by Noah MacMillan

Illustration by Noah MacMillan · noahmacmillan.co.

The five principles

Five principles that orient the work.

Whatever the project, these five principles keep place at the center of the work.

01

Artist-integrated discovery

Artists embedded in listening and inquiry from the very start.

We bring artists and culture-bearers into the earliest movements of the work, alongside planners and policy leads. They are the ears to the community, framers, and authors of the questions the plan is built around, working alongside the team from the first conversations onward.

This changes the texture of what gets surfaced. Artists notice patterns in a community that planning instruments do not — the cadences of a neighborhood, what is missing from a list of priorities, the difference between what people say and what they make.

How it shows up
  • Artist roles defined as a key part of the project workplan.
  • Listening sessions co-designed with culture-bearers from each district.
  • Honoraria budgeted at professional rates and paid on the same schedule as the planning team.
02

Belonging-grounded engagement

Engagement needs to be the relational infrastructure of good planning.

Engagement built on a research-based understanding of belonging. We assess how people feel known by a community along dimensions such as being welcomed, accepted, supported, and needed.

How it shows up
  • Community engagement design and facilitation for public planning processes and community development initiatives.
  • Engagement tailored for complex community situations.
  • Research-grounded evaluation that sets up future metrics for understanding the health of the community.
03

Arts-integrated program & policy design

The arts as a way to solve cross-cutting community challenges in health, transportation, and housing.

Cultural plans, public art master plans, and creative placemaking strategies that put the arts to work on cross-cutting community challenges in health, transportation, and housing.

How it shows up
  • Cultural master plans for municipalities and counties.
  • Public art master plans.
  • Creative placemaking strategies.
  • Neighborhood-scale arts integration plans.
  • Cross-sector arts program design (health × arts, education × arts, and more).
04

Placemaking outcomes measurement

Evaluation that captures what creative placemaking actually produces: relational, cultural, and capacity outcomes.

Built on research-based frameworks, with cross-sector translation capacity that satisfies both philanthropic funders and scholarly audiences.

How it shows up
  • Outcomes evaluation for creative placemaking initiatives.
  • Cross-sector evaluation translating arts outcomes for non-arts funders.
  • Applied research on belonging, placemaking, and community wellbeing.
  • Evaluation framework design for new programs and initiatives.
05

Sustained placemaking partnerships

Long-term partnerships let the methodology deepen over time and build capacity that outlasts any single project.

Long-term implementation partnerships with mission-aligned institutions: county cultural alliances, municipal cultural affairs offices, faith-informed institutions, and anchor nonprofits.

How it shows up
  • Multi-year implementation partnerships.
  • Embedded consulting relationships with anchor institutions.
  • Capacity-building communities of practice.
  • Ongoing evaluation services across program lifecycles.
Engagement types

How clients work with us.

Civic Arts engagements range from focused short-term assignments to multi-year embedded partnerships. Most integrate two or three Practice of Place principles, depending on the client’s actual needs.

Short-term

Project-based engagements

Single-phase consulting around a specific deliverable — discovery research, engagement facilitation, evaluation framework design, or policy and program review.

3–9 months
Multi-phase

Plan & program development

Cultural plans, public art master plans, neighborhood strategies, and program design engagements that move through discovery, design, and validation.

9–18 months
Embedded

Sustained partnerships

Multi-year relationships with anchor institutions where Civic Arts becomes part of the implementation infrastructure — typically combining program design, evaluation, and capacity building.

2+ years
Illustration by Noah MacMillan

Illustration by Noah MacMillan · noahmacmillan.co.

Intellectual anchors

Built on a careful foundation.

The Practice of Place sits inside a broader field. If you want to go deeper, our published resources document what we’ve learned working with local partners.

Let’s discuss

Have a project that needs this kind of attention?

We welcome early conversations — whether the work is fully scoped or still just a question you’re sitting with. Let us help you frame the initial questions you’re bringing to the table.